F C B CADELL
Francis 'Bunty' Cadell was one of the Scottish Colourists, a group painting in the early twentieth century who brought the colour and vibrancy of the Fauvists and post-Impressionists to Scotland. Unlike other British painters whose work after the Great War took an often sombre, aggressive or mechanised bent, Cadell's art expressed his irrepressible love of life and beauty. His work was more structured, composed from primary colours, and more defined than his looser pre-war paintings. After travelling through France and Italy before the war, he remained settled in Edinburgh and Iona for the rest of his life. Whether elegant interiors, still lifes, landscapes or sensual portraits, Cadell rendered his whole variety of subjects with a consistent mastery of colour, wit, and gravitas.
Please contact us for authentications, valuations and copyright. We are happy to advise on the sale of paintings and are also keen to buy paintings by F C B Cadell.
JOHN MACLAUCHLAN MILNE
John Maclauchlan Milne was one of Scotland's most talented 20th Century Colourist painters. His landscape work ranks equally with that of his Scottish Colourist contemporaries, yet he has been historically unjustly overlooked.
Milne flourished in the early 1920's in France, inspired by the work of the avant-garde artists there. He recorded scenes from Paris to the Riviera with a vivid palette and bold, expressive brush strokes, akin to Cezanne and Gauguin, and he brought back the same approach and Mediterranean light to his landscapes of Scotland where he settled for the rest of his life.
Milne was exhibited in prestigious galleries and was sought after by Scotland's foremost collectors. Yet he didn't establish a long-lasting relationship with any gallery or dealer which would have ensured his wider recognition. Portland Gallery is delighted to represent the Estate of John Maclauchlan Milne.
Please contact us for authentications, valuations and copyright. We are happy to advise on the sale of paintings and are also keen to buy paintings by Milne.
Portland Gallery represent the Estate of Edward Seago, one of Britain's best known and most widely collected twentieth century artists. Seago was brought up in East Anglia and is often considered a very English painter, continuing in the great tradition of Constable, Turner and the Norwich School. Yet his subjects were as varied as his travels were wide-ranging, comprising urban scenes from Paris to Hong Kong, landscapes of Morocco to Antarctica, as well as portraits, still life, horses and ballet dancers. His deft touch, apparently spontaneous execution and subtle mastering of colour capture both the essence and ephemera of his scenes while his distinctive paintings are undeniably personal and emotional.
Please contact us for authentications, valuations and copyright. We are happy to advise on the sale of paintings and are also keen to buy paintings by Edward Seago.
Michael Tyzack was part of the prestigious development of British abstract painting in the 1950s and '60s, though he is better known in his adopted North America than his native England. Portland Gallery are delighted to represent his Estate and encourage the recognition in the UK which he deservedly enjoys in the U.S.A. Tyzack trained in the early 1950s in Sheffield and London. Later influenced both by new directions in abstract painting from America and Continental Europe as well as the vibrant colours of Matisse, the fauvists and post impressionists, he developed the arresting yet lyrical style he is now known for. An expert craftsman in collage or paint, Tyzack's works explore form and light, but predominantly colour: 'Colour was the main thing', Tyzack said, everything else was form on which to hang the colour.contact us for authentications, valuations and copyright. We are happy to advise on the sale of paintings and we are keen to buy paintings by Michael Tyzack.
In 2009 Portland Gallery was appointed to represent Mary Fedden, one of the most recognisable and well-loved British artists of the 20th and 21st centuries. Her work is often characterised by a scatter of separated objects across the pictorial stage without regard for the rules of perspective, and a directness of address that seems to take delight in its quirky particularity. The recurring objects she paints in her pictures are themselves chosen by Fedden for their intrinsic decorative appeal. In 1951 Mary Fedden married the artist Julian Trevelyan and together they took a studio on the Thames River at Chiswick, where Fedden lived and worked until she passed away in 2012. Trevelyan himself, with his instantly recognisable white beard appears as a stalwart in many of Fedden's paintings. She was later elected a Royal Academician.
Please contact us for authentications, valuations and copyright. We are happy to advise on the sale of paintings and are also keen to buy paintings by Mary Fedden.